Look what they done to my Rolls ma!

Riley Riley

A wrap would have been easier, but Rolls-Royce opted for a hi-tech, laser-etched paint job for this one-off Phantom Arabesque.

The inspiration for the design comes from Middle Eastern architecture in the form of traditional mashrabiya latticework.

The mashrabiya pattern is reinterpreted in various ways: a laser-engraved bonnet, intricate Blackwood and Bolivar marquetry Gallery artwork a suite of Bespoke motifs subtly placed throughout the car.

In an architectural setting, mashrabiya is built using intricately carved wooden screens that create privacy, allowing those inside to look out without being seen.

The latticework also encourages airflow, providing natural cooling for a building’s interior.

Decorative, functional and perfectly attuned to the region’s climate, these geometric forms are a hallmark of regional craftsmanship and architectural identity.

Phantom Arabesque is the first Rolls-Royce in history to be graced with a fully laser-engraved bonnet.

This newly patented technique is the result of a five-year development program led by the marque’s Exterior Surface Centre.

It draws inspiration from the Italian sgraffito technique – the artistic practice of revealing contrasting layers of colour by precisely removing upper surfaces.

Five years of experimentation, testing and calibration were required to perfect a process capable of delivering the depth, clarity and consistency demanded by Rolls-Royce artisans.

To achieve the effect, the bonnet is first painted in a darker colour, then sealed beneath multiple layers of clear coat before a lighter top layer is applied.

The geometric mashrabiya pattern is then engraved to a depth of just 145–190 microns into the uppermost surface, revealing the darker tone beneath.

The result is a richly textured, three-dimensional surface that catches the light and invites exploration: a pattern intended to be discovered by both the eye and the hand.

Each of the engraved areas is meticulously hand-sanded to ensure an even, sculptural finish.

By integrating the pattern within the paint itself rather than applying it on top, this method achieves an exceptional level of refinement and durability, while variations in laser velocity and intensity create subtle visual shifts as light moves across the surface.

The project brought together the full expertise of the Exterior Surface Centre, with every team contributing to the development of this new craft form.

Phantom Arabesque is presented in a Bespoke two-tone finish, with the main body in Diamond Black and the upper surfaces in contrasting Silver.

The same colour is used for the single hand-painted Short Coachline, which is elevated with a mashrabiya motif.

The exterior is further enhanced with an illuminated Pantheon grille, set within a Dark Chrome surround and complemented by an uplit Spirit of Ecstasy figurine, as well as 22-inch part-polished alloys.

Phantom Arabesque’s interior centrepiece is presented within the Gallery, which runs the full width of the front fascia.

An intricate Bespoke marquetry artwork crafted from Blackwood and Black Bolivar wood echoes the mashrabiya design cues and is subtly elevated with an offset clock presented in a complementary dark colourway.

The interior suite is finished in serene Selby Grey and Black leathers with Black seat piping and carpets, elevated by contrasting Black mashrabiya motifs embroidered on the front and rear headrests.

Starlight Doors are trimmed with Selby Grey piping and Black contrast stitching.

Illuminated treadplates bearing a cross-section of the bonnet engraving motif complete this landmark commission. 

Rolls-Royce Phantom Arabesque was delivered to the commissioning client from the Middle East, taking its prominent place within their collection.

 

 

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